Bronze standing statue of Fudo Myoo

Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
Bronze standing statue of Fudo Myoo
  • Region/Era Japan / Kamakura period
  • Size H10.3×W3.0×D3.2cm
  • Condition Good
  • Accessory paulownia box
  • No. 41nk-18

Though a small statue of 10.3cm, this standing Fudo Myoo statue encapsulates the power and realism characteristic of the Kamakura period.


Fudo Myoo is considered to be an incarnation of Dainichi Nyorai, the highest Buddha in Esoteric Buddhism. He takes on a terrifying, wrathful form to forcefully save people lost in worldly desires, but his true nature lies in deep compassion.

What first catches the eye is probably his dignified standing posture. Standing straight up on both feet without leaning his center of gravity left or right, it's as if he symbolizes a strong, unwavering will.

The thickness of the overlapping robes and the folds of the drapery (emon) flowing down to the hem express the rich volume unique to the Kamakura period. The undulations from the chest to the abdomen and the curves from the back to the waist are also very realistic anatomical representations. He exudes a definite sense of life.

His expression, with his brow furrowed and mouth closed in a straight line, is stern, but doesn't it also convey a certain humor and approachable affection? It is also very precious that the fine details of his expression remain without wear, drawing one in as you gaze intently at his face.

The attributes (jimotsu) held in both hands also remarkably retain their original form from that period. The golden "Riken" (sword of wisdom) held aloft in his right hand symbolizes the wisdom that cuts through our delusions, attachments, and evil connections. And the "Kensaku" (lasso) held in his left hand is a rope used to pull people drowning in worldly desires out and guide them back to the right path. The sharp gleam of the sword against his dark brown body adds a definite dignity to this small statue.


In statues like this, the attributes are often missing or made later, but in this piece, both remain in good condition from the time of creation.

Such an excellent state of preservation can be called miraculous. This Buddha clearly shows how it has served as a spiritual anchor for people across generations and been carefully passed down.

To pick up and see the actual item in the gallery.

Reservation
BACK