Eleven-faced Kannon hanging Buddha

Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
Eleven-faced Kannon hanging Buddha
  • Region/Era Japan / Muromachi period
  • Size H9.8×W9.8×D1.2cm
  • Condition Partial loss on the halo
  • Accessory paulownia box
  • No. 44nk-8

This is a small gilt-bronze Kakebotoke (hanging Buddha). Kakebotoke are Buddhist ritual objects made by depicting a Buddha's image on a metal plate, intended to be hung on walls or pillars for worship. They have been used not only in temples but also in miniature shrines and small indoor worship spaces.

Older Kakebotoke tend to have more three-dimensional figures, while later ones tend to shift towards a semi-relief expression that is closer to the plate surface. This piece, with its figure gently emerging from the plate in a semi-relief style, is an example believed to be from the Muromachi period.

The central figure depicted is the Eleven-Headed Kannon. The eleven small faces on the head are simplified. The slightly sharp features of the eyes and nose are striking, giving the expression a certain loveliness. In addition to the expression of the eyes and mouth, the drapery lines and the lotus pedestal are carefully delineated with very fine line engravings, and with little abrasion, the delicate craftsmanship is well preserved. Traces of gilding also remain, and the preservation condition is extremely good.

The halo behind the figure is flame-shaped, with delicate openwork. Although there are some missing parts, it is relatively well-preserved for this type of light, intricate workmanship. On both sides of the Kannon, lotus flowers are depicted with line engravings, adding a quiet solemnity to the composition.

While this type of Kakebotoke was mass-produced to some extent during the Muromachi period, this piece is particularly striking for its charming expression, and the craftsmanship of the halo and the meticulousness of the line engravings are also noteworthy. Though a small piece, it possesses a charm that makes one want to keep it close at hand.

To pick up and see the actual item in the gallery.

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